American Life in Poetry
A feature provided by Ted Kooser, U.S. Poet Laureate, 2004-2006
If we haven’t done it ourselves, we’ve known people who have, it seems:
taken a vacation mostly to photograph a vacation, not really looking at
what’s there, but seeing everything through the viewfinder with the idea of
looking at it when they get home. Wendell Berry of Kentucky, one of our most
distinguished poets, captures this perfectly.
Once there was a man who filmed his vacation.
He went flying down the river in his boat
with his video camera to his eye, making
a moving picture of the moving river
upon which his sleek boat moved swiftly
toward the end of his vacation. He showed
his vacation to his camera, which pictured it,
preserving it forever: the river, the trees,
the sky, the light, the bow of his rushing boat
behind which he stood with his camera
preserving his vacation even as he was having it
so that after he had had it he would still
have it. It would be there. With a flick
of a switch, there it would be. But he
would not be in it. He would never be in it.
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln.
Introduction copyright © 2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.